And finally, Poe’s work was being taught in most American high schools and would be familiar to AIP’s target audience.Īnyone who has ever had even a cursory reading of Poe will instantly recognize that these films are extremely loose adaptations of his stories. Second, Poe’s material had long since fallen into the public domain and was therefore free, which greatly pleased his producers. First, he had been a lifelong fan of the writer. For the first of these, he pitched making a film based on Edgar Allan Poe’s short story “ The Fall of the House of Usher.” Corman chose Poe for three main reasons. Corman, feeling that this method had begun to lose its luster, suggested combining the cost of the two films into one larger budget film, in color and widescreen, shot in 15 days. Nicholson and Arkoff’s business model at the time was to make two black and white quickies, shot in ten days, and sell them together for the price of one. His primary partner in these ventures was American International Pictures (AIP) under the leadership of James H. They are preoccupied with the thin veil separating life and death, making them perfect fall viewing.īeginning in the mid-50s, Roger Corman became a B-movie making machine, churning out as many as nine films in a single year. Though they never explicitly reference the fall festival, these films are filled with cobwebs, coffins, and dungeons. Though period films, absolutely dripping with gothic atmosphere, most utilize modern, experimental film techniques.
BRIDE OF CHUCKY SOUNDTRACK COVER SERIES
The series of films directed by Roger Corman in the early 60s that have become known collectively as The Poe Cycle are a truly unique series of films. But there is another great classic franchise worth consideration. Next, perhaps the Amicus anthologies or the films Val Lewton produced for RKO in the 1940s. Originally appears on Seasons in the Abyss.When it comes to classic horror, the Universal and Hammer monster movies come immediately to mind. Has a different mix compared to the Guitar Hero III: Legends of Rock release. Originally appears on the special edition of Christ Illusion. Originally appears on Divine Intervention. Originally Appears on Seasons in the Abyss. Later appears on Soundtrack to the Apocalypse.
Later appears on Soundtrack to the Apocalypse.Ĭollaboration with Atari Teenage Riot. Medley and Covered of songs by The Exploited. Later appears on Soundtrack to the Apocalypse.Ĭollaboration with Ice-T. Originally appears on Haunting the Chapel. The Repentless Killogy (Live at the Forum in Inglewood, CA) "-" denotes a release that did not chart. Slayer is considered one of the "big four" of thrash metal along with Anthrax, Metallica and Megadeth and has earned six gold certifications and one multi-platinum plaque from the Recording Industry Association of America (RIAA). Slayer sold 5 million copies in the United States from 1991 to 2013, according to Nielsen SoundScan, and over 20 million worldwide. Christ Illusion (2006) was Slayer's most successful effort, debuting at number five in the US and winning two Grammy Awards. Bostaph left the band due to an elbow injury and was replaced by former member Lombardo. Diabolus in Musica (1998) was criticized for its nu metal traits, while God Hates Us All (2001) created controversy for its graphic artwork. ġ994's Divine Intervention, the first album to feature Bostaph, peaked at number eight in the US, the band's best chart performance at the time. After the album was released, Lombardo departed Slayer and was replaced by Paul Bostaph. After South of Heaven (1988), Slayer signed to Rubin's new label, Def American, and released Seasons in the Abyss (1990). The album helped Slayer break into the Billboard 200 for the first time, peaking at number 94. The band was then signed to Def Jam Recordings by Rick Rubin, who produced Reign in Blood (1986). Slayer's first two albums, Show No Mercy (1983) and Hell Awaits (1985), which were released on Metal Blade Records, did not chart in the United States. Slayer was an American thrash metal band formed in 1981 by guitarists Kerry King and Jeff Hanneman, who recruited vocalist and bassist Tom Araya, and drummer Dave Lombardo.
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